Showing posts with label oil painting demos. Show all posts
Showing posts with label oil painting demos. Show all posts

Monday, March 27, 2017

Painting at The Von Liebig

This winter is flying by and my students have been a source of inspiration and joy.
Here are some of my class demos.

Zorn Demo for my Color Mixing Workshop
This palette consists of Cad Red, Yellow Ochre, Ivory Black and White


My Onion demo


My Tomato Demo



My White Dove demo


My Radish Demo

……...and some of my student's work. 

Page Ginns


Marcia Walsh


Wednesday, March 04, 2015

Painting Shiny

Vermeil Cup
Class Demo

I'd like to say that I'm setting the world on fire here in Naples, but the fact is, I'm on island time. Sitting, reading, eating out and touring South Florida with Don and generally lazing about.
However, I have my students to keep me on the straight and narrow!
Tuesday, I painted this shiny silver cup. It's not metal but a soft vermeil kind of finish and it was extremely difficult to paint. Linda watched me sweat through my demo and then took on the task. The big issue with this finish was that it doesn't reflect mirror like images of the surrounding area as metal would, only color and shadow. We are going to go after it again next week which is the best way to understand it.
Meanwhile, I read a bunch of books including, The Boy Who Loved Anne Frank by Ellen Feldman, The Sandcastle Girls by Chris Bohjalian, The First Phone Call from Heaven by Mitch Albom, The Selected Short Stories of William Faulkner, Local Girls by Alica Hoffman and Some Girls Some Hats and Hitler; a true love story by Trudi Kanter. They were all good in an "okay" kind of way, but I'm still looking for that really great read.

Sunday, April 28, 2013

Garlic Demo

Three Garlic Cloves
6x6 oil on panel
A little block in done for my class. 
Busy here. Very busy ;)

Captain Ray and Ryan

Tuesday, March 19, 2013

50 Shades of Grey

"Grey Garlic" 6x6 
oil on panel
SOLD
Well, not really, but values are incremental and we can only create about 3 to 5 discernible values to depict light in our paintings. I mixed up a large amount of dark 'grey' with Cad Red, Ultramarine Blue and Cad Yellow. It leaned a bit toward brown but when I added white it was a blue gray. I blocked in the garlic using burnt umber and then using three values of my grey I painted in the values. After I got my pattern down I went over it with some color. By the way, I must be the only one in the world who hasn't read that book. I did order it from the library but this is one you have to buy, the wait list is that long!!
my palette
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