I don't like to post WIPs but I will take a chance here and give you a sneak peek of my large paintings. I've mentioned that I will be showing my work at Bella's Italian Restaurant beginning in November and through the first of the year. Because the space needs larger paintings, I committed to working much larger than I'm used to and let me just say that from 6"x6" to 24"x24" is a jump. Here are a sequence of photos of my process in enlarging a small painting. My process is to grid a printout of the original painting and draw it onto newsprint. I then chalk the back, along the lines of the drawing and transfer it to the toned board. I'm using Ampersand unprimed hardboard which has a 2" cradle to eliminate the need for framing, although the buyer can always add a frame. I give it three coats of gesso, sanding lightly between coats and tone it with an underpainting that will enhance the color harmony of the final painting. There is a lot of blue in this painting so I chose an orange ground. For those of you who've emailed me about taking my Painting from Photos workshop, I will be scheduling it for after Open Studios which is November 22 & 23 from noon to 5 PM,the weekend before Thanksgiving. Also, this weekend is The Hingham Arts Walk featuring my GJWP homies. Please stop by and visit Kelley MacDonald, Paula Villanova and of course Page at the studio of Page Pearson Railsback, at 35 North Street from 12-4 on Sunday, October 19th.
There's a little garage near my studio, where some 'car guys' restore classic cars. I've been driving by it for years and have always wanted to paint this beautiful peridot green car. Now that I'm posting, I realize that I should know what kind of car it is. But, I'll have to tell you next time.
I love color and pushing this pink into a glowing 'presence' was really fun! I can see cropping this differently and painting a few different versions of it. I've been invited to show my work at Bella's Restaurant, which is a local favorite serving Italian cuisine. They've been supporting area artists in the 'Little Bar' gallery for at least a decade and I am psyched to have this opportunity. I need to do some LARGE paintings for this show and I'm ready. Stay tuned.
We are leaving Atlantic City today after a fabulous week in our 31st floor digs on the Jersey Shore. I think I might be a Jersey girl at heart. Who knew? I did this little study toward a future painting of my garret which is the last window at the top right.
I began this sketch the day I checked into my garret. It was an overcast day so there isn't much contrast. This week I'm in Atlantic City on the 31st floor of the Flagship Hotel. Love the sound of the ocean and the wind. Don and I have been keeping the sliding doors ajar all night so we can enjoy it.
Spending a few glorious days on Monhegan Island with my painter friend Bobbi Heath. We ate a fabulous meal at the Island Inn where not only did they allow us to split an entree, they plated it separately as well and we walked home enjoying the spectacular starry sky, which is so much more dramatic way out here. I did this little study of Manana and the harbor from the sitting area just outside my top floor 'garret' at Monhegan house. I have always wanted a garret! Life is good ;)
This is my third painting forLeslie Saeta's 30 in 30 challenge. My greatest pleasure during the amazing summer of 2014 has been the incredible weather with low humidity, temperatures consistently in the 75-80 range, and hardly any mosquitos. WHAT?! Next to that, which was pretty big for me, I've been loving sitting on my deck enjoying our little slice of oceanside nirvana and painting. Our 'Heavenly Blue' Morning Glories are in full bloom and I cannot get enough of this beautiful shade of blue. The painting is much lighter and cleaner than I can reproduce in this photo. Back at it again tomorrow.
My second painting in Leslie Saeta's 30 in 30 challenge is this tower of morning glories which I grow on trellises inside ceramic pots on my deck. The 'heavenly blue' shade of these flowers is almost impossible to paint, but I tried. I so love sitting on my deck painting these gorgeous flowers! This has been a perfect summer and I hope this is a trend in the weather.
I had great fun bringing out my 'inner' abstract artist at a weekend collage workshop at the Art Complex Museum a week ago. I love cutting and pasting and gluing and I 'arted' up this cigar box with a torn map and buttons a la Sally Dean. She's the education coordinator at the ACM and was also a participant. Of course, we were incorrigible ;)
Inside, I put a photo of my niece Chrissie and I, taken in one of those photo booths, at Paragon Park, way back in the day.
She's an artsy girl herself and I'm giving it to her. She will love it!
I made this little sketch in pen and ink before doing the painting. Some elements have been eliminated to showcase the smooth water and Spencer's Island which is off to the left. This is where the Mary Celeste was built. I often wish I could go back in time and see what this land looked like during the Age of Sail.
This is not the painting I originally planned to submit to the GJWP challenge this month, but the first one is only half finished, having been started the day before we left for Nova Scotia and it was just a bit more complicated than it needed to be. I did this down at Partridge Island this afternoon. Don't know if it's noticeable but there's some shimmery silver paint in it. Don and I are having a wonderful time staying with Cousin Barb, Marilyn, Abbie the Yellow Lab and sweet cats, Molly and Honey. Tomorrow we're attending a Yorke family reunion in Diligent River ;)
I've said it before but we are having the most wonderful weather this summer. Today was warm but the humidity was low and the breeze is brisk ;)
Spent the day weeding the garden, sitting on the deck and enjoying life.
I plan to teach a couple of workshops this September and will vary the lessons. This particular painting was not painted from a photo but if it were, I would interpret it this way and that is the lesson. The demo is just an example of the process.
Loving my neighborhood and my stay 'cation' here by the beach :)
Studio Workshops Fall 2014
*Painting from photos
I will supply simple photos and we will break them down step by step beginning with a value 'map'.
this area to the right, which is a fence,
did not read well
so I reworked it
classes will be held at my studio in Rockland, Massachusetts
I am on what's known as a 'stay-cation'. There is no place I'd rather be than home during the summer, and this particular summer is one of the best ones, weather wise, that we've seen in a while.
YES! Perfect New England summer!
I've been spending my days on our deck under a shady umbrella, painting. First up were my mother's little garden gnomes who live with me now. She loved for me to refresh them for her and of course they had a lot more panache after a meeting with me and my brush.
But, our sweet little shed, the purple trim painted by my husband, has been calling to me and yesterday I answered the call. Actually, the flag is my favorite part.
Very unusual low humidity and cool breezes have been the norm this summer and I spent yesterday on the beach basking in the glory of it all. Sketching on the beach is difficult because everything is moving but last night I did this drawing from one of my photos. I would like to point you to my fellow artist and friend Jody Regan whose sketchbook is a treasure of beauty. Enjoy!
I thought I was using removable frisket while painting this piece but it turned out that the stuff I bought is NON removable. Who knew? Anyway, it gave the first pass an interesting look so I added some more and just finished the painting. This is my interpretation of 'Interior' which is this months Girls Just Wanna Paint challenge. Meanwhile, I'll be looking up using non removable frisket to see what the point is. I'm sure there is one.
We're off for a few days to see some art and soak in the beauty of Maine. I'm bringing my watercolors and sketching stuff and Don is bringing some books. I don't want to miss the Connie Hayes show at Dowling Walsh Gallery and of course, visit the fabulous Farnsworth Museum home of the Wyeths. This little sketch is of a scene in Pictou, Nova Scotia. Love the red mud!
I took a watercolor workshop with the fantastic Irena Roman at the Art Complex Museum in Duxbury. Her method is to create the background of the painting by wetting the paper and pouring color over it. The way the color takes on the paper can be manipulated by tilting and moving the paper while the paint is wet. She also uses masking fluid to keep whatever she wants to either stay white or light. Check out her work here. So, this is the one piece that I came out with and the glass is shown as it appeared when I peeled off the masking fluid. I could re mask and paint over some of the white but for now I like this as is. I'm pleased with the colors and even like the effect of the space where peeling off the masking tape separating the painting from the drips of paint from the pour. I'm stoking my inner abstract artist ;)
I'm a traditional painter and I like that kind of work but, for quite a while now my inner abstract artist has been trying to emerge. I love fabric and paper art but the thing is I don't have a vision of what I want to create. This month's GirlsJustWannaPaint challenge had me thinking about what, besides food or drink, is delicious and I am most viscerally affected by scents. Lilacs, my mother's perfume, smoke from a wood fire, autumn leaves, but one of the most affecting scents is the ocean breeze. This piece began with light washes of watercolor on 140 Hot Pressed Arches paper. I used Holbein silver watercolor. Talk about delicious colors, Holbein has an exceptional range. As I worked, I mixed a little of the silver with my color and although the effect isn't as obvious in this photo, it really lends a lovely shimmer to the whole painting. With this non traditional approach I was uncertain as to whether to add to this and at this time I prefer it as is. The beauty is, that I could take this further a step at a time, which is how the journey begins. I feel like I cracked the code!
I painted this little watercolor on a 6x6 block that I just couldn't resist buying. The paper is very smooth and slick with sizing but I like how I can move the paint around on it. The washes stay wet and the paper doesn't buckle.
A birdwatcher friend was highly amused when I told him how I reminded myself that this bird is a snowy egret. Snowy egrets have yellow feet and to make that association was to think 'don't eat yellow snow'. I know, but it worked ;)
Last Sunday I had the most fabulous day out visiting friends and artists at the annual North River Arts Festival. Despite the gloom and doom weather forecast both days ended up sunny and beautiful.