Same view as before but with the full tide and some distant rays of sun lighting up those cumulus clouds, high over the Bay of Fundy. It's hard to remember not to keep mashing brush strokes on top of one another. It dulls the color and creates mud. The most saturated orange in this, is the underpainting, of which I'm a big fan. It unifies the work and facilitates color vibration. This felt good to paint.